Today, I’m Celebrating The Small Things, very softly and quietly in
fact, creeping in the side door, hoping if I can just sneak onto a pew at the
back with the merest of small waves only to interested parties, the rest of the
congregation won’t notice that it’s Saturday and I’m a day late.
But I just had to share the love, the love of working with
other people. This is not an everyday occurrence when you’ve made the dubious
career choice of writing cocooned in the empty study of an even emptier house
while the rest of the world is either out playing or thinks you’re actually out
playing.
Ok, I realise that the rest of the world isn’t playing,
rather working, albeit in grinning teams of people all patting each other on
the back – oh, there I go again – but it was better for my story to paint a
desolate picture.
I love to write slightly more than I dislike not being with
other people so any chance to work with others I snatch up. That’s probably why
I love teaching and my editing work so much.
Recently I found out that I’d had my short story, A Life
with Additives accepted for publication in the anthology, Stories for Homes
which intends to raise money for Shelter, the charity for the homeless. This is
a charity which is close to my heart as my parents worked tirelessly for
Shelter when I was growing up. So I was double delighted.
The anthology is the brain child of Sally Swingewood and Debi
Alper who also came up with the inspired strategy of pairing short story
contributors together to help edit each other’s stories. It was a pleasure
working with my writing team mate. Thus far, he's managed to stay away from all forms of social media (what IS his secret?) so to protect his privacy, we’ll call him Bob. His story is hysterical.
I can’t divulge more at the moment but suffice it to say, after stifling
giggles in my favourite writing place, a well-known coffee shop in Harrogate with
my extra hot cappuccino on hand, one paragraph had me laughing out loud (my
children would tell me I can’t use LOL and I tend to agree) like the archetypal
deranged writer in the corner.
Aside from the joys of working in a team, the process
reminded me how much I relish feedback. No, really, I do. Of course it would be
wonderful if your partner came back with a gasp and a scratch of their head as
to how they could possibly help you to make this ground-breaking story of
exquisite excellent-ness any better and by the way, had you thought of entering
it for the Bridport Prize? But that isn’t going to happen. No two people will
ever see the same in a piece of writing. No two people would ever write a story
in exactly the same way. And that’s a good thing. That fresh eye showing
exactly how the words have bounced off the page on first viewing - let’s not
forget that readers of books don’t actually have the time nor inclination to
pore over our missives in the same way we do - always throws up howlers and
confusions. I’m so happy that I’ve received feedback on my personal howlers and
confusions, if a little embarrassed on occasion.
- that my story is to be published
- that the anthology will raise money for a vital charity
- that I was assigned to Bob and his brilliant story and for him pointing out before any readers got to it that the repetition of the musical flute and the fluted of the bowl looked like the main character had a mixing bowl hanging from her lips
- that I’ve had the joy of working with real people this week
- that, although I must work this weekend, the sun is shining so I'm off to do some in the garden.
- that the anthology will raise money for a vital charity
- that I was assigned to Bob and his brilliant story and for him pointing out before any readers got to it that the repetition of the musical flute and the fluted of the bowl looked like the main character had a mixing bowl hanging from her lips
- that I’ve had the joy of working with real people this week
- that, although I must work this weekend, the sun is shining so I'm off to do some in the garden.
I hope you're celebrating large and small - please, come share the love...