Today I hot footed it into Harrogate with the rest of the family and my eleven year old daughter’s best friend, to watch my first born perform her Michael Jackson number in the dance school’s bi-annual show. Of course I thought she was brilliant. (It’s my baby up there, she could pick her nose and I’d still get tears in my eyes.) But oh yes, the whole show was incredible. Even my husband managed to stay awake for all but the tiniest section of marauding ducks in the Peter and the Wolf ballet.
But what really struck me was not the massive amount of talent amongst the whole cast, not the amount of organisation that goes into ensuring 200 four to 18 year olds arrive on stage on time (with only one casualty, an over-awed sobbing swan who was whisked off stage before the tears had barely plopped onto the lily pad) but the amount of time my daughter was prepared to relinquish to appear in one dance, performed twice over a period of six hours and never again. She likes to dance, she had the chance to be in the show, so she did it. No questions asked about the time commitment, the cost benefit of the time spent practising versus time lost on her roller blades.
Oh to have the Mind of a Child.
For me, as an adult, this show, this dancing lark would become a mathematical equation. It’s the Theory of a Time Line: y=mx+ c where y=worth all the bother, m=hours on stage, x =months (six) of show practice before and c, the enjoyment factor. However life-changing the moment on stage (just another day in the office for my daughter, I have to say), however fulfilling the time spent with friends, I have to admit I’d have backed out months ago. I’d do that big picture thing, my life up there, a long red line with a marker slightly right of centre, saying that I didn’t have the time to commit to it properly.
But then I’d have missed out, wouldn’t I?
I think I’d cope better with this submission thing if I had the Mind of a Child. I submitted my book to agents last March. I cringe now. It wasn’t ready. I’ve cut 30,000 words since then and added another 25,000 back in. But I wanted to get it published. It wasn’t an arrogance or a need even for a ‘tick in the box’ , it was impatience. It was that little voice telling me that the clock’s ticking and I want to be writing another book but I can’t do that until this one’s published (or rather I should say, I can’t justify doing that until this one’s published). If I could merely accept the process like a child; write the letters, accept the weeks of waiting, barely give the process a thought in between (and that means putting a stop to twice-five minutely flicks over to email to see if an agent happens to have got back to me in the last thirty seconds), the outcome wouldn’t be any different but the journey would be a whole lot sweeter.
Mind you, my daughter does have her own driver, bag packer and sustenance provider. Maybe that would help...
But what really struck me was not the massive amount of talent amongst the whole cast, not the amount of organisation that goes into ensuring 200 four to 18 year olds arrive on stage on time (with only one casualty, an over-awed sobbing swan who was whisked off stage before the tears had barely plopped onto the lily pad) but the amount of time my daughter was prepared to relinquish to appear in one dance, performed twice over a period of six hours and never again. She likes to dance, she had the chance to be in the show, so she did it. No questions asked about the time commitment, the cost benefit of the time spent practising versus time lost on her roller blades.
Oh to have the Mind of a Child.
For me, as an adult, this show, this dancing lark would become a mathematical equation. It’s the Theory of a Time Line: y=mx+ c where y=worth all the bother, m=hours on stage, x =months (six) of show practice before and c, the enjoyment factor. However life-changing the moment on stage (just another day in the office for my daughter, I have to say), however fulfilling the time spent with friends, I have to admit I’d have backed out months ago. I’d do that big picture thing, my life up there, a long red line with a marker slightly right of centre, saying that I didn’t have the time to commit to it properly.
But then I’d have missed out, wouldn’t I?
I think I’d cope better with this submission thing if I had the Mind of a Child. I submitted my book to agents last March. I cringe now. It wasn’t ready. I’ve cut 30,000 words since then and added another 25,000 back in. But I wanted to get it published. It wasn’t an arrogance or a need even for a ‘tick in the box’ , it was impatience. It was that little voice telling me that the clock’s ticking and I want to be writing another book but I can’t do that until this one’s published (or rather I should say, I can’t justify doing that until this one’s published). If I could merely accept the process like a child; write the letters, accept the weeks of waiting, barely give the process a thought in between (and that means putting a stop to twice-five minutely flicks over to email to see if an agent happens to have got back to me in the last thirty seconds), the outcome wouldn’t be any different but the journey would be a whole lot sweeter.
Mind you, my daughter does have her own driver, bag packer and sustenance provider. Maybe that would help...